I Wear the Black Hat, by Chuck Klosterman

I Wear the Black Hat: Grappling with Villains (Real and Imagined)I Wear the Black Hat: Grappling with Villains by Chuck Klosterman
My rating: 4 of 5 stars

I’m a big Chuck Klosterman fan, from SPIN to many of his books on pop culture. He’s started writing novels to (in my opinion) mixed success … so I was glad when I saw that he’s releasing a new book of essays. It comes out in July but I was able to get a galley copy, which I eagerly gobbled up over the Memorial Day weekend.

I Wear the Black Hat is an analysis of villains – real and imagined. From Darth Vader to N.W.A. to, of course, Adolf Hitler (his essay is mostly about how he HAS to write about Hitler and knows he can’t do it without it becoming a disaster, which is the only part he gets wrong), Klosterman shows us why we as a culture have grown to LOVE the villain, instead of root against him. I wasn’t completely convinced – and then, I thought about the recent blog post I had about my favorite shows of all time – and at least half of them feature a main character (or characters) who were seriously flawed, downright evil or just objectively, not good guys. We are fascinated by falls from grace, we root for Tony Soprano, Omar Kelly and Walter White as much as or MORE than we ever rooted for typical protagonists. The “anti-hero” is perhaps the most common role in most movies, TV shows and art these days.

Klosterman also has a not particularly unique insight into the role that good looks play in our culture (after describing his own looks as “weird”), something that is no doubt true and though it is somewhat well-trodden ground, he does add his usual spin on things. I particularly liked his essay about Bill Clinton*, in which he outlines all the players in the Lewinsky scandal and notes that after all of this, Bill Clinton (who, objectively, did some really villainous things) came out not particularly damaged. In fact, his popularity among women is about 66%. (*Figuring out Chuck Klosterman’s politics has long been very tough – he’s clearly NOT a partisan hack, and leans both ways on certain issues. In todays world, that’s worth noting whenever politics get involved.)

I Wear the Black Hat is a return to form for Klosterman, and will be enjoyable for any fan of his, or even a casual fan interested in the subject matter. As Klosterman says, that’s pretty much all of us.

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The Rains of Castamere

With no episode of Game of Thrones this weekend, here’s a taste from the end of last season (I think the comments over at YouTube contain a litany of spoilers so feel free to just watch it here) … this song from the book “Rains of Castamere” is played over the credits after the battle at Blackwater Bay … this also happens to be the title of the next episode of GoT, and I guess I’ll just leave it at that.


One of my favorite shows, featuring a song by one of my favorite bands?

IT’S LIKE YOU KNOW ME, HBO.

The Big Clear, by Christopher Harris

The Big ClearThe Big Clear by Christopher Harris
My rating: 5 of 5 stars

Christopher Harris is known mostly as a fantasy football expert – he writes for ESPN and previously wrote for TalentedMrRoto.com – where I also wrote. While we exchange emails from time to time, I think I can be fairly unbiased in my review here (as I was with his first novel, Slotback Rhapsody) when I say that this is a very enjoyable book throughout.

The Big Clear is a noir mystery, which is evident from the cover and even from the title, which pays homage to such great noir films as The Big Sleep, Lebowski, etc. Set during the beginning of the Iraq War in 2003, it tells the story of Mason “Dub” Storm, a special forces veteran who now lives in Austin, TX. He is a gumshoe, a private detective, but not a particularly bold one – he tends to spend more of this time getting high with his friends Kid and Pete, and doing much of nothing except thinking about (and trying to forget) his days in Somalia, etc.

Like many great noir stories, The Big Clear begins as one thing and morphs slowly into something else. It is, presumably, the story of a missing boy – who turns out to be the nephew of Heather Easley, a rich, beautiful former classmate of Dub’s. Dub is hired by Heather’s sister, who has problems of her own – and the story takes off from there. While the book stays true to the noir/detective genre, it also has its own voice – and one that I greatly enjoyed.

(One nod I liked, whether Harris did it intentionally or not, was the use of “…” to express someone who is in a conversation but not responding. This, in my mind, is a nod to David Foster Wallace who used this often, and as one of my favorite people and authors, can’t be acknowledged often enough. So, kudos to that!)

If I have one complaint, it is that midway through the book there is an extended flashback to Somalia, for important reasons that become apparent later on. However, I enjoyed the Austin story so much that I raced through it, hoping to get back to the characters I was more invested in. That’s a backhanded compliment, I know, but it’s the only part of the book that gave me any pause, mostly because I enjoyed the other parts so much.

Christopher Harris always has a way with words, whether it’s painting a visual canvas of the Austin morning or the spartan conversation between two characters who want little to do with each other, or his more familiar way of breaking down the RB situation in Denver. (I think Montae Ball is going to get the job.) Here, he creates a new world that is completely engaging, suprising and true to the noir genre. The ending feels honest, doesn’t cut corners and should leave every reader satisfied and looking for more.

Check out The Big Clear!

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Revisiting the TV Roundup

A few years ago I wrote a TV Roundup, an exercise in futility – collecting and writing my favorite shows ever. Why did I do this? I don’t know – and I shortly regretted it. And yet … I took a look recently and knew that I couldn’t let it rest. It’s a problem.

I’ll add a few new shows to the “just missed” category first – Parks and Recreation and Justified are two shows I absolutely love right now. It could happen. And I still haven’t seen The Shield, which now seems to reside as the Best Player Never To Win A Major category (that is, the show I’ve been told is fantastic by the most folks but haven’t ever seen myself).

Here was the original list I posted, with links to each writeup of the given shows:

21. Kids In The Hall
20. Taxi
19. How I Met Your Mother
18. Dexter
17. The Simpsons
16. The Daily Show
15. Mad Men
14. Arrested Development
13. 24
12. The Office (UK & US)
11. Lost
10. Cheers
9. Six Feet Under
8. The West Wing
7. Friday Night Lights
6. Survivor
5. Battlestar Galactica
4. Sports Night
3. The Sopranos
2. Seinfeld
1. The Wire

If you give more than half of a shit about it, you can go back to this post to see all the caveats I threw in there to hedge my bets with this, but in the 2 1/2 years since I wrote this, things have predictably changed.

My top ten still looks about right to me … it’s the second half that is a bit in flux. First, I suppose it’s entirely possible that the new, final and unexpected season of Arrested Development will be so awful or brilliant that it moves it one way or another a few slots. The apparent return of 24 next year for a half-season could do similar things, presumably.

Two new shows made the list, which meant that new shows above fell completely off. As it turns out, these were the 18th and 19th shows.

Dexter was a show I’d only seen three seasons of – and had yet to see the amazing John Lithgow season. But after that? God, it got boring and weird and … just not interesting. I moved Season 6 so far down in my Netflix queue that I eventually conceded I just didn’t want to see it. Yep, it’s gotta go.

The same is true for How I Met Your Mother, which we do still watch but has really tailed off in its last few seasons. It’s become a much less clever show, often annoyingly so. It still gets a laugh or two out of me most of the time, but otherwise is often boring or disappointing. That’s not the description of one of my favorite shows ever. See you later, HIMYM.

So, here’s the new list, with descriptions where needed.

21. Kids In The Hall
20. Taxi
19. The Simpsons
18. The Daily Show

17. The Office (UK & US)

A five point tumble! This is a reflection of the fact that I really stopped enjoying the last few seasons with Michael Scott (Steve Carrell, crying here for a reason I can’t remember), and just stopped caring whatsoever once he left. I didn’t watch last season or this, final one. It’s worth pointing out that there’s a possibility that one day Parks and Recreation will join this overall list, and higher than The Office. Just putting that out there, guys.

16. Game of Thrones
The first new entrant to the list — and I’m breaking my own rules here because it’s still in its third season, which I decided was the minimum number of seasons to count here. But why pretend? IT’S SO GODDAMN AWESOME. Plus, I’ve read the books and know where we’re going and OH MY GOD IT’S GOING TO BE EVEN MORE AWESOME. It’s hard for me to imagine this not being on the list the next time I make it, probably higher.

There’s really no way to describe Game of Thrones without sounding like an enthused 14-year old, so let’s just say there is swords, dragons and major bad assery all over the place. I was going to put in a picture of Tyrion, or Khaleesi, Mother of Dragons – but then I saw this and loved it, too:

Love this show.

15. Arrested Development
14. 24
13. Breaking Bad
The other new entrant was one I expected back in 2010, and acknowledged it was one of the shows people raved about and I had yet to see. It’s … almost indescribably good.

It’s the story of a science teacher who gets cancer – and in order to set up his wife and disabled son up, he begins to make and sell crystal meth to build up some money for them after he dies. That teacher is Walter White, played by Bryan Cranston masterfully. The character arc White takes through the show is epic in its total transformation that seems totally plausible. If anything, I might like Jesse Pinkman (Aaron Paul) even more – the former student of White’s who he teams up with as a business partner.

I heard Cranston being interviewed about the show and he said that when it was pitched by Vince Gilligan to AMC, the head of the station said that it sounded horrendous. A science teacher selling crystal meth – this was the stuff of a successful program? But, he quickly added, he trusted Gilligan to understand this better and to make it work. If that’s even remotely true, we need more guys like that AMC executive. This show is truly brilliant, and I’m both excited to see it wrap up this summer and sad that it will be over so soon.

12. Mad Men
The climb of Mad Men is both a result of a few others fall and the reflection that it has yet to truly stumble – at all. Each season, I’m convinced it’s the best yet – even if I’m not crazy about all the choices they’ve made, I love this show. It was tough to decide if it should be above or below Breaking Bad, but for now it just edges it out.

11. Lost
10. Cheers
9. Six Feet Under
8. The West Wing
7. Friday Night Lights
6. Survivor
5. Battlestar Galactica
4. Sports Night
3. The Sopranos
2. Seinfeld
1. The Wire

Back when I wrote the original post, I sort of feared that it meant I’d never be able to let it stay static. I suppose that fear has manifested itself. But better yet, that will only be true if there TV keeps churning out some quality shows.

See you again in a few years.

Tesla: Man Out of Time

Tesla: Man Out of TimeTesla: Man Out of Time by Margaret Cheney
My rating: 3 of 5 stars

Nikola Tesla is a fascinating person, so ahead of his time that people have actually wondered aloud whether he was from another planet entirely. His inventions are many – notably, he paved the way for things like the light bulb and radio, to name just a few. Why do we not think of him immediately when we think of great inventors? This book aims to tell his story. And, it’s a pretty compelling one.

Where the book falls short is that it turns out to be sort of hard to describe a lot of Tesla’s thinking, patents and inventions to someone who isn’t interested in physics and science in great specificity about what he’s done. Here’s just ONE of many examples, not nearly the most complex:

With the turbine he had invented a valvular conduit that enabled it to be used with combustible fuel. This unique conduit, with no moving parts, has recently been used in fluid logic elements, in which context it is referred to as a fluid diode.

Um. Yeah. I’m pretty sure that means Tesla invented something in the late 1800’s or early 1900’s that we now use regularly but I’m not really sure at all what it is or why it’s important.

That’s kind of the biggest flaw with the book for me. In fact, I read this book largely based on the knowledge that Tesla was this mystery man, an inventor light years ahead of his time – and this book helped solidify that. I largely knew that anecdotally, but also because of this cartoon, of all things, by The Oatmeal. (Warning: Language is decidedly NSFW.) I’m not entirely sure that I got any more from this book that the cartoon didn’t tell me. That’s kind of a problem.

Regardless, this IS a very good biography of a fascinating man and if you have a bit more of a base knowledge about science than I do, it may very well be a great biography. As for Tesla? His words about himself ring true, compared to folks like Edison and Marconi who had reached fame and fortune by capitalizing on Tesla’s inventions:

“Let the future tell the truth and evaluate each one according to his work and accomplishments. The present is theirs, the future, for which I really worked, is mine.”

 Rating: 6.5/10.0

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